• Photograph — Bain News Service (photographer not recorded)
  • Date — November 4, 1913, as cataloged; place not recorded
  • Damage — Scratches, dark blotches, specks
  • Archive — Library of Congress, LC-DIG-ggbain-14619
  • Restoration — Epoha

Original

Venustiano Carranza, 1913

Venustiano Carranza on a 1913 glass negative from the Library of Congress: scratches and blotches repaired, then colorized. The color is inferred.

Photograph
Bain News Service (photographer not recorded)
Date
November 4, 1913, as cataloged; place not recorded
Damage
Scratches, dark blotches, specks
Archive
Library of Congress, LC-DIG-ggbain-14619
Restoration
Epoha
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This Venustiano Carranza photo is the Library of Congress’s digital file of a glass negative from the Bain News Service, dated November 4, 1913 and captioned by hand “Gen. Carransa.” Thin scratches cross the shoulder and the face, dark blotches mark the jacket, and the whole picture is soft and black and white. What follows is what the restoration repaired, what it left alone, and why the colors in the colorized version are an inference.

What the photograph shows

A man with a long white beard looks straight at the camera in a head-and-shoulders portrait. He wears round wire-rimmed glasses, a dark jacket and a white collar, and the ends of his mustache sweep out to either side. The backdrop behind him is mottled and empty. At the bottom left, handwriting on the negative reads “GEN. CARRANSA.” followed by a number.

The Library of Congress catalogs the negative as “Gen. Carransa [i.e., Carranza]” and dates it “1913 Nov. 4.” Its description reads: “Photo shows Venustiano Carranza de la Garza (1859-1920), a leader of the Mexican Revolution who became president of Mexico in 1914.” We take the identification and the biography from that record and add nothing to them.

What happened to the photograph

The file is the Library’s digital copy of a glass negative. Its record (LCCN 2014694592) describes the object as “1 negative : glass ; 5 x 7 in. or smaller” and says the digital file was made from the original negative; our scan shows the black border around the picture and the writing on the plate. The negative belongs to the Bain News Service photograph collection: about 40,000 glass negatives dated 1860 to 1937, most of them from 1910 to 1920, with the Mexican Revolution among its subjects. According to the collection record, George Grantham Bain founded the first news photography service in 1898 in New York City.

The handwriting at the bottom left is the negative’s own caption, and the catalog keeps it. The name is misspelled, and the Library did not fix the title: it kept the spelling on the negative and put the correction in brackets, “Gen. Carransa [i.e., Carranza].” A note in the record gives the source: “Title and date from data provided by the Bain News Service on the negative.”

The date carries its own caution. The catalog gives “1913 Nov. 4 (date created or published later by Bain).” November 4, 1913 may be the day the picture was made or the day Bain put it out, and the record does not say which. It names no place and no photographer; the Bain News Service appears only as publisher.

The identification comes in two layers. The negative carries a surname, misspelled, and the abbreviation “Gen.” The Library’s description supplies the full name, the years 1859 to 1920 and his role, and it ends with a source line: “Flickr Commons project, 2008.” The full name and the dates therefore rest on that description and its stated source.

The Library’s rights statement reads: “No known restrictions on publication.” It points to a separate rights page for the Bain collection. Nothing in the record says when this negative came to the Library.

On our scan, thin scratches run across the shoulder and the face, dark blotches sit on the jacket, specks dot the backdrop, and a white margin and a black border surround the picture. The image is soft overall, closer to the look of a copy than of a first exposure, though the catalog does not say which it is.

What was repaired

The restoration was generated with Gemini nano-banana 2.1 through our lab — a different image model from the one behind the restoration tool on this site — using the same analysis and instructions as that tool. We made three runs. In all three he stays recognizable; we show the one closest to the negative in the face, judged by eye and by our face-similarity measurement.

The scratches, the blotches on the jacket and the specks are gone. The handwritten caption does not appear in the result. If your own photograph has writing on it, keep your original scan alongside the file: the result is the picture alone.

The original is black and white, so the color is inferred by the model, not recovered from the photograph: a dark jacket, a warm brownish backdrop, skin tones. Nothing in the record says what color any of it was.

Questions about this colorized photo of Carranza

Is this a real photo of Venustiano Carranza?

Yes, as far as the Library of Congress’s record goes. The file is a digital copy of a 1913 glass negative (LC-DIG-ggbain-14619) captioned by hand “Gen. Carransa,” and the Library’s description names Venustiano Carranza de la Garza (1859–1920). The original is black and white; the color in our version was added by the restoration.

Is the color in this photo of Carranza real?

No. The photograph is black and white and records no color. In our version the model inferred the dark jacket, the warm brownish backdrop and the skin tones, and nothing in the Library’s record confirms any of them.

When was this photo of Carranza taken?

The catalog dates it “1913 Nov. 4 (date created or published later by Bain).” That can be the day the picture was made or the day Bain published it; the record does not say which, and it gives no place.

Who took the photo, and where is the original?

The record names no photographer; it lists the Bain News Service as publisher. The negative is in the Library of Congress’s Bain News Service photograph collection; its record is LCCN 2014694592 and its digital file LC-DIG-ggbain-14619.

Why does the photograph say “Carransa”?

The handwritten caption on the negative spells the name that way. The catalog kept the negative’s spelling in the title and added the correction in brackets: “Gen. Carransa [i.e., Carranza].” The catalog does not say how the misspelling came about.

Sources

A family portrait crossed by scratches?

Upload a scan of your own — scratches, dark blotches, specks. When the result is back, hold the restored photo to see your original before you decide whether to keep it.

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Left alone on purpose

The round wire glasses, the shape of the beard and mustache, his pose and the texture of the backdrop are as the negative holds them. The record names no photographer and no place, so none is added, and the date stays the catalog’s.